Title: When Abdullah got the Net Ashore…, from: Four Tales from the Arabian Nights, 1948
Technique: Original Hand Signed Lithograph in Colours on Laid Paper
Paper size: 43 x 33 cm. / 16.9 x 12.9 in.
Image size: 37.5 x 28.7 cm. / 14.8 x 11.2 in.
Additional Information: This original lithograph in colours is hand signed in pencil by the artist “Marc Chagall” at the lower right margin.
This is a proof aside from the edition of 90.
The work is the 8th plate (of 12) from the Album “Four Tales from the Arabian Nights”.
This work was printed in 1948 in a limited edition of 90 signed and numbered impressions by Albert Carman, New York. It was published by Pantheon, New York.
There is a thirteenth composition which was only included in ten of the portfolios.
Note: Each composition illustrates a piece of text from one of four tales from the Arabian nights. This composition relates to the story of “Abdullah the Fisherman and Abdullah the Merman”. The text from which the image was created is – “When Abdullah got the net ashore, he saw a man in it and he fled from him, but the man called out to him from within the net…”
Literature:
1. Mourlot, F., & Sorlier, C., (1960). Chagall: The Lithographs I: 1922-1957 (Catalogue Raisonné). D.A.P./Distributed Art Publishers, Inc.
Reference: Mourlot 43
2. Cramer, P. (1995). Marc Chagall: The Illustrated Books: Catalogue Raisonné. Geneva: Cramer
Reference: Cramer 18
Condition: Very good condition. Very pale time-staining around the image. Very pale staining along the left sheet edge. The colours are very strong.
Title: Then the Boy displayed to the Dervish his Bosom…, from: Four Tales from the Arabian Nights, 1948
Technique: Original Hand Signed and Numbered Lithograph in Colours on Laid Paper
Paper size: 43 x 33 cm. / 16.9 x 12.9 in.
Image size: 38 x 28.6 cm. / 15 x 11.3 in.
Additional Information: This original lithograph in colours is hand signed in pencil by the artist “Marc Chagall” at the lower right margin.
It is also numbered in pencil from the edition of 90 and inscribed “pl. 1” at the lower left margin
The work is the 1st plate (of 12) from the Album “Four Tales from the Arabian Nights”.
This work was printed in 1948 in a limited edition of 90 signed and numbered impressions by Albert Carman, New York. It was published by Pantheon, New York.
There is a thirteenth composition which was only included in ten of the portfolios.
Note: Each composition illustrates a piece of text from one of four tales from the Arabian nights. This composition relates to the story of “Kamar al- Zaman and the Jewellers Wife”. The text from which the image was created is – “Then the boy displayed to the Dervish his bosom, saying, “Look at my breasts which be goodlier than the breasts of maidens and my lipdews are sweeter than sugar candy…”
Literature:
1. Mourlot, F., & Sorlier, C., (1960). Chagall: The Lithographs I: 1922-1957 (Catalogue Raisonné). D.A.P./Distributed Art Publishers, Inc.
Reference: Mourlot 36
2. Cramer, P. (1995). Marc Chagall: The Illustrated Books: Catalogue Raisonné. Geneva: Cramer
Reference: Cramer 18
Condition: Excellent condition. Very pale, unobtrusive time-staining around the image.
Additional Information: This is a Beautiful Original Color Lithograph by Marc Chagall titled “Cain and Abel”.
It was printed in 1960 as part of the series “The Bible” in a limited but unsigned edition.
The work bears an additional Black and White Lithograph on the reverse. See images.
The series was published by Mourlot, Paris.
Literature: Chagall: The Lithographs: Catalogue Raisonne, by Charles Sorlier and Fernand Mourlot.
Reference: M. 238.
Condition: Very Good Condition, light surface dirt on the reverse.
Marc Chagall (1887–1985) was a Russian-Belarusian-French painter of Jewish origin who was born in Belarus, at that time part of the Russian Empire. He is associated with the modern movements after impressionism. Born in 1887, his Jewish origins and rural upbringing in Russia had a lasting effect on Chagall’s life. His poetic mastery of dreams, memories and folklore dominated his work and commitment to original printmaking throughout his life. Chagall was 63 years old when he first came to Mourlot in 1950 to study the technique of colour lithography with Charles Sorlier. Already a famous artist with nothing to prove, Chagall nevertheless worked tirelessly to master the nuances and subtleties of this demanding medium for his own satisfaction. Marc Chagall fabricated a mystical world of lovers, musicians and artists in his work. He chose lithography as a print medium that could offer him almost unlimited painterly freedom to explore his world. “Something would have been lacking in my life if, in addition to my passion for colour, I had not been involved with engraving or lithography…Each time I held a lithographic stone or copperplate in my hand I thought I was touching a talisman. It seemed to me that I could put all my joys and sorrows in it…..Everything that touched my life through the years, births, deaths, weddings, flowers, animals, birds, the poor workers, my parents, lovers in the night, the biblical prophets, on the street, at home, in the temple and in heaven. And as I grew older, the tragedy of life within us and around us.” Marc Chagall
Marc Chagall (1887–1985) was a Russian-Belarusian-French painter of Jewish origin who was born in Belarus, at that time part of the Russian Empire. He is associated with the modern movements after impressionism. Born in 1887, his Jewish origins and rural upbringing in Russia had a lasting effect on Chagall’s life. His poetic mastery of dreams, memories and folklore dominated his work and commitment to original printmaking throughout his life. Chagall was 63 years old when he first came to Mourlot in 1950 to study the technique of colour lithography with Charles Sorlier. Already a famous artist with nothing to prove, Chagall nevertheless worked tirelessly to master the nuances and subtleties of this demanding medium for his own satisfaction. Marc Chagall fabricated a mystical world of lovers, musicians and artists in his work. He chose lithography as a print medium that could offer him almost unlimited painterly freedom to explore his world. \"Something would have been lacking in my life if, in addition to my passion for colour, I had not been involved with engraving or lithography...Each time I held a lithographic stone or copperplate in my hand I thought I was touching a talisman. It seemed to me that I could put all my joys and sorrows in it.....Everything that touched my life through the years, births, deaths, weddings, flowers, animals, birds, the poor workers, my parents, lovers in the night, the biblical prophets, on the street, at home, in the temple and in heaven. And as I grew older, the tragedy of life within us and around us.\" Marc Chagall