Technique: Original Hand Signed Ink Drawing on paper
Size: 16.5 x 20.5 cm / 5.9 x 7.8 in
Additional Information: This work is an ink drawing by the famous Hungarian artist Bela Kadar.
The drawing is hand signed in pencil “Kadar Bela” in the lower right corner of the paper.
Provenance: Istvan and Imre Deak Collection, USA
Literature: Gilden’s Arts Gallery and Virag Judit Gallery, 2012. Bela Kadar, An
American Collection, Budapest: Virag Jurit Gallery, illustrated page 59.
Condition: Discolouration of the paper. Three tape marks at the recto. Some tears at the upper edge of the paper.
Some creases trhoughout. Not examined outside the frame.
BELA KADAR 1877-1956
Budapest 1877-1956 (Hungarian)
Title: Cows Grazing
Technique: Original Hand Signed Signed Ink Drawing on paper
Size: 17 x 21 cm / 5.9 x 7.8 in
Additional Information: This work is an ink drawing by the famous Hungarian artist Bela Kadar.
The drawing is hand signed in pencil “Kadar Bela” in the lower right corner of the paper.
Provenance: Istvan and Imre Deak Collection, USA
Literature: Gilden’s Arts Gallery and Virag Judit Gallery, 2012. Bela Kadar, An
American Collection, Budapest: Virag Jurit Gallery, illustrated page 59.
Condition: Discolouration of the paper.
Some creases trhoughout. Not examined outside the frame.
BELA KADAR 1877-1956
Budapest 1877-1956 (Hungarian)
Title: Town View with Lamppost
Technique: Original Hand Signed Charcoal Drawing on paper
Paper Size: 24.5 x 35 cm / 9.8 x 13.5 in
Additional Information: This is an original drawing in black charcoal by Bela Kadar.
It is hand signed in charcoal “Bela Kadar” at the lower right coner of the drawing.
It was realised in the 1920’s.
Provenance: The Istvan and Imre Deak Collection USA
Literature: Gilden’s Arts Gallery and Virag Judit Gallery, 2012. Bela Kadar, An American Collection, Budapest: Virag Jurit Gallery, illustrated page 56.
Condition: Good condition. Not examined outside the frame.
BELA KADAR 1877-1956
Budapest 1877-1956 (Hungarian)
Title: Family of Farmers
Technique: Original Hand Signed Tempera and Pastel on paper
Size: 27.5 x 40 cm / 10.8 x 15.7 in
Additional Information: This original Tempera Painting on paper is hand signed
in white by the artist “Bela Kadar” at the lower hand corner of the image.
Condition: Good Condition. Not examined outside the frame.
BELA KADAR 1877-1956
Budapest 1877-1956 (Hungarian)
Title: The Speech, circa 1910’s.
Technique: Original Hand Signed Pencil Drawing on paper
Paper Size: 19.8 x 16 cm / 7.7 x 6.2 in
Additional Information: This is an original drawing in pencil by Bela Kadar.
It is hand signed in pencil “Bela Kadar” at the lower right coner of the image.
This work was probably realised in the 1910’s.
Provenance: Istvan and Imre Deak Collection, USA
Mary Elizabeth Gise (Mrs. Imre Deak), New York
Literature:
1. Gilden´s Arts UK, 2007. Kadar Bela & The Deak Family; Works on Paper; New York 1920-1930. London: Gilden´s Arts UK.
2. Gilden’s Arts Gallery and Virag Judit Gallery, 2012. Bela Kadar, An American Collection, Budapest: Virag Jurit Gallery, illustrated page 57.
Condition: Some creases throughout. Not examined outside the frame.
BELA KADAR 1877-1956
Budapest 1877-1956 (Hungarian)
Praying Man with Pigs
Technique: Original Black Charcoal Drawing on paper
Paper Size: 23.8 x 26.5 cm / 9.3 x 10.4 in
Additional Information: This is an original black charcoal drawing by the Hungarian artist Bela Kadar.
Provenance: The Deak Family Collection, New York, who acquired the work directly from the artist.
Marie Elizabeth Deak (nee Gise), New York
Literature:
1. Gilden´s Arts UK, 2007. Kadar Bela & The Deak Family; Works on Paper; New York 1920-1930.
2. Gilden’s Arts Gallery and Virag Judit Gallery, 2012. Bela Kadar, An American Collection, Budapest: Virag Jurit Gallery, illustrated page 38.
Condition: Some light creases throughout. Paper slightly wavy. Not examined outside the frame.
BELA KADAR 1877-1956 Budapest 1877-1956 (Hungarian) Title: Woman Escaping a Bull Technique: Original Black Charcoal Drawing on paper Paper Size: 14.5 x 21 cm / 5.7 x 8.2 in Additional Information: This is an original charcoal drawing by the Hungarian artist Bela Kadar. Provenance: The Istvan and Imre Deak Collection,USA Literature: Gilden’s Arts Gallery and Virag Judit Gallery, 2012. Bela Kadar, An American Collection, Budapest: Virag Jurit Gallery, illustrated page 24. Condition: Good Condition. Some light creases throughout. Not examined outside the frame.
BELA KADAR 1877-1956
Budapest 1877-1956 (Hungarian)
Title: A Couple in Architectural Cityscape
Technique: Original Signed Ink Drawing on paper
Size: 29.5 x 22 cm / 11.6 x 8.6 in
Additional Information: This drawing is hand signed in black ink in the lower left corner “Bela Kadar”.
Condition: Good condition. Unexamined outside the frame.
BELA KADAR 1877-1956 Budapest 1877-1956 (Hungarian)
Title: Mary Elisabeth with her Child, ca. 1920
Technique: Original Inscribed and Signed Pencil Drawing on paper
Size: 23 x 15 cm / 9 x 6 in
Additional Information: This is an early original drawing by Bela Kadar, probably from the 1920’s. It is hand inscribed and signed by the artist in pencil “Mary Elisabeth with her child, Bela” in the lower right corner. This is a portrait of Bela Kadar’s friend and supporter, Mary Elizabeth Gise.
Provenance: Istvan and Imre Deak Collection, USA Mary Elizabeth Gise (Mrs. Imre Deak), New York
Literature: 1. Gilden´s Arts UK, 2007. Kadar Bela & The Deak Family; Works on Paper; New York 1920-1930. London: Gilden´s Arts UK. No. 2 2. Gilden’s Arts Gallery and Virag Judit Gallery, 2012. Bela Kadar, An American Collection, Budapest: Virag Jurit Gallery, illustrated page 48.
Condition: Good condition. Light crease in the lower right corner. Very light surface dirt. Unexamined out of the frame. The work will be sold unframed.
Béla Kádár (1877-1956) is a Hungarian master, specialising in painting and drawing. Kadar incorporated themes of Hungarian folklore and peasant life into his art. His painting style reflected many of the artistic movements of the early part of the 20th century including expressionism, constructivism and cubo-futurism. Amongst his early interests was mural painting. Like many of the artists of his day he was drawn to Paris and Berlin, and by 1910 he had visited both cities twice. In 1923, Kadar showed his paintings in Berlin at the invitation of Herwath Walden. Walden was an important figure in the German avant-garde, being the publisher of the journal Der Sturm which featured the works of Franz Marc, Paul Klee, Wassily Kandinsky, Marc Chagall and Oskar Kokoschka. During the group exhibition at Walden´s gallery with other artist´s of Der Sturm, Kadar met Katherine Dreier whose Societe Anonyme was instrumental in bringing the work of the European avant-garde to New York. With her help two major exhibitions of his work were planned for the Brooklyn Museum of Art, the second of which in September 1928 Kadar travelled from Europe to attend.
Béla Kádár (1877-1956) is a Hungarian master, specialising in painting and drawing. Kadar incorporated themes of Hungarian folklore and peasant life into his art. His painting style reflected many of the artistic movements of the early part of the 20th century including expressionism, constructivism and cubo-futurism. Amongst his early interests was mural painting. Like many of the artists of his day he was drawn to Paris and Berlin, and by 1910 he had visited both cities twice. In 1923, Kadar showed his paintings in Berlin at the invitation of Herwath Walden. Walden was an important figure in the German avant-garde, being the publisher of the journal Der Sturm which featured the works of Franz Marc, Paul Klee, Wassily Kandinsky, Marc Chagall and Oskar Kokoschka. During the group exhibition at Walden´s gallery with other artist´s of Der Sturm, Kadar met Katherine Dreier whose Societe Anonyme was instrumental in bringing the work of the European avant-garde to New York. With her help two major exhibitions of his work were planned for the Brooklyn Museum of Art, the second of which in September 1928 Kadar travelled from Europe to attend.