Etching, hand signed and inscribed in pencil.
paper size:35×24.5 cm.
Technique : Lithograph on Vellum Arches paper
Paper size : 54,5 X 46,7 cm / 21.4X 18.4 inch.
Image size : 38 X 28.5 cm / 18.4 X 11.2 inch
Additional Information : This Original Lithograph is Hand Signed in pencil at the lower right margin and additionally signed in the plate in the right corner.
This Lithograph from 1968 is based on a drawing from 1932, a selfportrait by Tal-Coat himself.
The Lithograph was published to accompany one of Tal-Coat most important exhibitions that took place in 3 different galleries in Paris in 1968. (Gallery Henry Benezit, Gallery Beno D´Incelli & cie, and Gallery Andre Schoeller, all located in Paris).
Although, the exhibition took place in 1968 when Tal-Coat was already famous for his Abstract-Minimalism, the image itself was taken from a much earlier part of his career, 1932.
It is printed on Vellum Arches paper (watermark).
Condition : Very good condition. except of minor fold in the upper right corner of the margins
Technique : Original Etching on English Somerset paper.
Paper Size : 75.5 X 56.5 cm / 18.1 X 24 inch.
Plate Size : 26 X 31 cm / 10.2 X 12.2 inch.
Additional Information : This etching is Hand Signed in pencil by the artist “L.Talmor” at the lower right margin.
It is also Hand Numbered in pencil “II/VI” (2/6) (Artist Proof) and Hand dated next to the Signature “1992”.
Furthermore the work is titled “1st print From the series: Horowitz, the Story-Teller, Cahier de Voyage”
The paper bears the watermark of “Somerset England” paper.
Condition : Excellent condition, very minor handling creases.
Technique : Original Etching on paper.
Paper Size : 36 X 46 cm / 14.2 X 18.1 inch.
Image Size : 22 X 30 cm / 8.7 X 11.8 inch.
Additional Information : This etching is Hand Signed in pencil by the artist “Victor Tischler” at the lower right margin.
The work is also hand numbered in pencil “8-25” at the lowet left margin.
This etching has been printed in a limited edition of only 25 impressions.
Condition : Excellent condition.
THEO TOBIASSE b. 1927
(French)
Title: The Power of Spells / la Puissance des Sortileges
Technique: Original Hand Signed and Numbered Color Lithograph on paper
Paper Size: 105.5 x 72.3 cm / 41.5 x 28.4 in
Additional Information: This work is hand signed in pencil by the artist “Theo Tobiasse” in the lower right corner.
It is also Hand numbered in pencil at the left lower margin “86/150”. It is titled in the plate at the middle of the image.
The paper bears the Arches watermark.
Condition: Very Good Condition.
CY TWOMBLY 1928-2011 (American)
Lexington, Virginia 1928-2011 Rome, Italy
Title: Untitled, 1970
Technique: Original Hand Signed and Numbered Lithograph in Colours on Thick Wove Paper
Paper size: 31.5 x 42.5 cm. / 12.4 x 16.7 in.
Additional Information: This original lithograph in colours is hand signed by the artist with his initials in black ink “C T.”, on a label verso. It is also hand numbered in black ink above the signature from the edition of 250, verso. There were also 30 artist’s proofs aside from the standard edition, numbered with Roman numerals. It was published by Verein Progressiver Galerien, Köln, in 1970.
Literature: Bastian, H. (2017). Cy Twombly: The Printed Graphic Work: Catalogue Raisonné. Munich: Schirmer/Mosel. Reference: Bastian 28
Condition: Excellent condition.
LESSER URY 1861-1931 Międzychód, Poland 1861 – 1931 Berlin (German)
Title: Sunset at Grunewald Lake, from: Berlin Impressions | Sonnenuntergang am Grunewaldsee: Berliner Impressionen, 1924
Technique: Original Hand Signed and Numbered Etching and Drypoint on Simili-Japan Paper
Paper size: 35.6 x 26.7 cm. / 14 x 10.5 in. Image size: 17.5 x 13.5 cm. / 6.9 x 5.3 in.
Additional Information: This original etching and drypoint is hand-signed in pencil by the artist “L. Ury” at the lower left margin. It is also hand numbered in pencil XXVIII from the edition of XXX (30) in Roman numerals, at the lower right margin. This is one of just 30 deluxe impressions on Japan paper aside the standard edition standard edition of 100 with Arabic numerals. This is the fifth of seven compositions which create the series “Berliner Impressionien” [Berlin Impressions], published by Euphorion Verlag, Berlin in 1924. The paper bears the blind stamp of the publisher in the lower right corner.
Literature: Rosenbach D. (2002). Lesser Ury. Das Druckgraphische Werk. Hannover/Berlin: Edition Rosenbach Reference: Rosenbach 26.
Condition: Excellent condition.
LESSER URY 1861-1931 Międzychód, Poland 1861 – 1931 Berlin (German)
Title: Walk Along the Landwehr Canal, from: Berlin Impressions, 1924 | Spaziergänger am Landwehrkanal: Berliner Impressionen, 1924
Technique: Original Hand Signed and Numbered Etching and Drypoint on Simili-Japan Paper
Paper size: 35.6 x 26.7 cm. / 14 x 10.5 in. Image size: 17.5 x 13.5 cm. / 6.9 x 5.3 in.
Additional Information: This original etching and drypoint is hand signed in pencil by the artist “L. Ury” at the lower left margin. It is also hand numbered in pencil XXVIII from the edition of XXX (30) in Roman numerals, at the lower right margin. This is one of just 30 deluxe impressions on Japan paper aside the standard edition standard edition of 100 with Arabic numerals. This is the third of seven compositions which create the series “Berliner Impressionien” [Berlin Impressions], published by Euphorion Verlag, Berlin in 1924. The paper bears the blindstamp of the publisher in the lower right corner.
Literature: Rosenbach D. (2002). Lesser Ury. Das Druckgraphische Werk. Hannover/Berlin: Edition Rosenbach Reference: Rosenbach 24.
Condition: Excellent condition.
JACQUES VILLON 1875-1963 (Gaston Duchamp)
Damville 1875-1963 Paris (French)
Title: Noblesse, 1921
Technique: Original Hand Signed and Dated Etching on handmade paper.
Paper Size: 24 x 12.5 cm / 9.5 x 4.9 in
Plate Size: 14.5 x 8.5 cm / 5.7 x 3.4 in
Additional Information: This work is hand signed by the artist in pencil “Jacques Villon” at the lower right margin. It is Hand Inscribed “tire a 50” (printed in an edition of 50 impressions) in pencil at the lower left margin. This Etching is also dated in pencil “1921” in the upper right corner. The etching is additionally signed in the plate by the artist “Jacques Villon” at the lower right corner.
Provenance: The Collection of Olga Carre-Burel The Collection of Louis Carre. This work belonged to the Collection of Olga Carre-Burel formally known as the Collection of Louis Carre. It was one of the most important collections of Villon’s work in the world if not the most important one. Olga Carre (born Burel) was the wife of the important Paris Gallery owner and Collector Louis Carre. He passed away in 1977 and so his wife, Olga Carre, inherited his collection. Louis Carre was the main dealer of Jacques Villon and exhibited his works regularly in his Gallery in Paris and New York. Most of their collection was bought directly from the artists.
Literature: Jacques Villon-Les Estampes,Les Illustrations-Catalogue Raisonne, by Colette de Ginestet and Catherine Pouillon, published by Arts et Metiers Graphiques.
Reference: Ginestet et Pouillon nA.-P. 205, illustrated in page 189.
Condition: Good condition, light discoloration of the paper. Light handling creases and fold. Light foxing.
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