SALVADOR DALÍ 1904-1989
1904 – Figueras-1989 (Spanish)
Title: Under the Parasol Pine, from: Tristan and Isolde | Sous le pin parasol (Tristan et Iseault), 1970
Technique: Original Hand Signed and Numbered Etching in Colours on BFK Rives Wove Paper
Paper size: 45 x 32 cm. / 17.7 x 12.6 in.
Image size: 40 x 26 cm. / 15.7 x 10.3 in.
Additional Information: This original etching in colours is hand signed by the artist in pencil “Dalí” at the lower right margin.
It is also hand numbered in pencil from the edition of 125, at the lower left margin. Only the first 25 impressions are hand signed and numbered.
The work was printed in a limited edition of 125 impressions on BFK Rives paper and was published by Orangerie Verlag, Cologne in 1970.
Our impression is from the German edition. There were also editions in English, French and Italian.
The paper bears the blindstamp of the publisher in the lower left corner and the BFK Rives watermark in the lower right margin.
Literature:
1. Michler, R. & Löpsinger, L. W. (1994). Salvador Dalí: Das Druckgraphische Werk 1924-1980.Œuvrekatalog der Radierungen und Mixed-Media-Graphiken. Munich & New York: Prestel Verlag.
Reference: Michler & Löpsinger, No. 414b
2. Field, A. (1996). The Official Catalog of the Graphic Works of Salvador Dalí. New York: The Salvador Dalí Archives.
Reference: Field 70-10 I
Condition: Very good condition. Time-staining around the image. Remnants of adhesive along the upper sheet edge.
SALVADOR DALÍ 1904-1989
1904 – Figueras-1989 (Spanish)
Title: Faust (Walpurgis Night) | Faust (La nuit de Walpurgis), 1968/69
Technique: Complete Set of Eleven Original Hand Signed, Numbered and Hand-Coloured Etchings on Japan Paper
Paper size: 39 x 29 cm. / 15.4 x 11.4 in.
Image size: 34 x 25 cm. / 13.4 x 9.8 in.
Additional Information: Each one of the eleven original etchings in this portfolio is hand signed by the artist in pencil “Dalí” at the lower right margin.
They are also all hand numbered in pencil, from the edition of 145, at the lower left margin.
The work was printed in a limited edition of 145 impressions on Japan paper in 1968 and published by Graphik Europa Anstalt, Paris in 1969.
Our edition was published without text and are hand coloured.
The book edition was published in German and there is also an edition published in French.
The etchings illustrate the text by Johann Wolfgang von Goethe’s “Faust”.
Each etching is titled separately as following:
– Marguerite
– Woman with Pig | Femme au cochon
– Witches with Broom | Sorcières au balai
– The Sculpture | Buste
– Woman with Clown | Femme au clown
– Sator
– Head of Veal | Tête de veau
– Rider and Death | Cavalier et la mort
– Bird Women | Femmes-poules
– Old Faust | Vieux Faust
– Kneeling Knight | Chevalier à genoues
Literature:
1. Michler, R. & Löpsinger, L. W. (1994). Salvador Dalí: Das Druckgraphische Werk 1924-1980.Œuvrekatalog der Radierungen und Mixed-Media-Graphiken. Munich & New York: Prestel Verlag.
Reference: Michler & Löpsinger, No. 298-308
2. Field, A. (1996). The Official Catalog of the Graphic Works of Salvador Dalí. New York: The Salvador Dalí Archives.
Reference: Field 69-1 A-K
Condition: Good condition. Some sheets with pale time-staining across the sheets. Soft handling creases along the lower and right sheet edges.
SALVADOR DALÍ 1904-1989
1904 – Figueras – 1989 (Spanish)
Title: Kumo – The Weave Spider, from: Japanese Fairy Tales, 1974
Technique: Original Hand Signed and Numbered Etching in Colours with Pochoir on Arches Wove Paper
Paper size: 66 x 50.5 cm. / 26 x 19.9 in.
Image size: 48 x 38.3 cm. / 18.9 x 15.1 in.
Additional Information: This original etching in colours with pochoir is hand signed by the artist in pencil “Dalí” at the lower right margin.
It is hand-numbered in pencil with Arabic numerals from the edition of 175, at the lower left margin.
It is one of ten original etchings with pochoir for the portfolio “Japanese Fairy Tales”.
It was printed by Ateliers Rigal and co-published by Gerschmann, Stockholm and Yayoi, Tokyo.
The paper bears the Arches watermark in the lower right margin and the blindstamp of Yayoi, Tokyo in the lower left margin.
Literature:
1. Michler, R. & Löpsinger, L. W. (1994). Salvador Dalí: Das Druckgraphische Werk 1924-1980.Œuvrekatalog der Radierungen und Mixed-Media-Graphiken. Munich & New York: Prestel Verlag.
Reference: Michler & Löpsinger, No. 748
2. Field, A. (1996). The Official Catalog of the Graphic Works of Salvador Dalí. New York: The Salvador Dalí Archives. Reference: Field 76-1 V
Condition: Good condition. A tear in the lower left image. Heavy mount staining and adhesive staining in all margins. Foxing in the upper and lower margins. Backboard and adhesive staining, verso.
Salvador Dalí (1904–1989) was a Spanish surrealist painter born in Figueres, Catalonia, Spain. Dalí was a skilled draftsman, best known for the striking and bizarre images in his surrealist work. Dalí was an eccentric Spanish painter who understood how the media worked and used it to its full potential. Dalí was a prolific artist, creating more than 1500 paintings during his life time and many works in other mediums, including prints, drawings, sculpture, book illustration, and theater set designs. The young Salvador Dalí drew from an early age and was encouraged by his sympathetic mother. In 1922 Salvador Dalí moved to Madrid to study painting at the Academy of Arts. Here he began to develop a reputation as an eccentric, attracting attention with his manner of dress, hairstyles, and comments on art. The artist experimented with forms of Cubism and Dadaism during his studies. Dali did not complete his final exams, and commented that those judging his work were not competent enough to grade him. Dalí moved to Paris, France, to pursue his career as an artist and to be amongst many of the most progressive artists of the time. It was here that Dalí met Pablo Picasso for the first time, a fellow Spaniard whom he greatly admired. He also became involved with André Breton and the Surrealist art movement. Around this time he also created surreal works that would come to represent what Surrealism was to many people, with works like “The Great Masturbator” and the famous Dalí melting clocks “The Persistence of Memory”. In 1929 Salvador Dalí met his wife Helena Diakonova, a Russian immigrant that was already married and was more than 10 years older than him. Know as “Gala” she became Dalí’s muse, lover, supporter and business manager. The couple were married in 1934 and she remained a major part of Dalí’s life up until his death. Salvador Dalí had a falling out with the Surrealists over politics and Dalí’s behavior. André Breton nicknamed Dalí “Avida Dollars” and was expelled from the Surrealist movement. Dalí was quoted as saying “Surrealism is me”. Dalí went on to become a great success in the United States. He became a celebrity with his attention seeking comments, appearance and surreal paintings. Dali and his wife Gala spent 8 years in America, before returning to Catalonia in Spain. In 1982 his beloved wife and companion Gala died. He moved to his hometown of Figueres, Catalonia, Spain where he died from heart problems on the 23rd of January, 1989.
Salvador Dalí (1904–1989) was a Spanish surrealist painter born in Figueres, Catalonia, Spain. Dalí was a skilled draftsman, best known for the striking and bizarre images in his surrealist work. Dalí was an eccentric Spanish painter who understood how the media worked and used it to its full potential. Dalí was a prolific artist, creating more than 1500 paintings during his life time and many works in other mediums, including prints, drawings, sculpture, book illustration, and theater set designs. The young Salvador Dalí drew from an early age and was encouraged by his sympathetic mother. In 1922 Salvador Dalí moved to Madrid to study painting at the Academy of Arts. Here he began to develop a reputation as an eccentric, attracting attention with his manner of dress, hairstyles, and comments on art. The artist experimented with forms of Cubism and Dadaism during his studies. Dali did not complete his final exams, and commented that those judging his work were not competent enough to grade him. Dalí moved to Paris, France, to pursue his career as an artist and to be amongst many of the most progressive artists of the time. It was here that Dalí met Pablo Picasso for the first time, a fellow Spaniard whom he greatly admired. He also became involved with André Breton and the Surrealist art movement. Around this time he also created surreal works that would come to represent what Surrealism was to many people, with works like \"The Great Masturbator\" and the famous Dalí melting clocks \"The Persistence of Memory\". In 1929 Salvador Dalí met his wife Helena Diakonova, a Russian immigrant that was already married and was more than 10 years older than him. Know as \"Gala\" she became Dalí\'s muse, lover, supporter and business manager. The couple were married in 1934 and she remained a major part of Dalí\'s life up until his death. Salvador Dalí had a falling out with the Surrealists over politics and Dalí\'s behavior. André Breton nicknamed Dalí \"Avida Dollars\" and was expelled from the Surrealist movement. Dalí was quoted as saying \"Surrealism is me\". Dalí went on to become a great success in the United States. He became a celebrity with his attention seeking comments, appearance and surreal paintings. Dali and his wife Gala spent 8 years in America, before returning to Catalonia in Spain. In 1982 his beloved wife and companion Gala died. He moved to his hometown of Figueres, Catalonia, Spain where he died from heart problems on the 23rd of January, 1989.
