ISSACHAR RYBACK 1897-1935
Yelizavetgrad 1897-1935 Paris (Ukrainian /Russian /French)
Title: The Organ Grinder with a Parrot, 1932
Technique: Signed Oil Painting on Canvas
Size: 102.5 x 65.5 cm. / 40.4 x 25.8 in.
Additional Information: This oil painting is hand signed by the artist “I. Ryback” in the lower left corner.
This painting was created in 1932
Provenance: Macdougall Arts Ltd., 05 Jun 2019 London, United Kingdom
Important Russian Art, Lot number 146 Illustrated on page 204 of the catalogue
Condition: Very good condition.
ISSACHAR RYBACK 1897-1935
Yelizavetgrad 1897-1935 Paris (Ukrainian /Russian /French)
Title: Poultry Seller, 1930’s
Technique: Signed Oil Painting on Canvas
Size: 73.5 x 60 cm. / 29 x 23.6 in.
Additional Information: This oil painting is hand signed by the artist “I. Ryback” in the lower left corner.
This painting was created in the early 1930’s
Provenance: The authenticity of this work has been kindly confirmed by the Comite and Foundation Issachar Ber Ryback
Condition: Good condition. A small 2 cm. Tear in the upper left canvas to the left of the figure. Some Craqueleur in the area of the basket
ISSACHAR RYBACK 1897-1935
Yelizavetgrad 1897-1935 Paris (Ukrainian/Russian)
Title: Boat and Sun, 1917
Technique: Original Signed and Dated Crayon Drawing in Colours on Brown paper
size: 14.7 x 10.2 cm / 5.8 x 4 in
Additional Information: The work is dated in pencil in the lower right corner.
ISSACHAR RYBACK 1897-1935
Yelizavetgrad 1897-1935 Paris (Ukrainian/Russian)
Title: The Russian Village, 1917
Technique: Original dated Charcoal drawing on brown paper
size: 10.7 x 16.4 cm / 4.2 x 6.5 in
Additional Information: The work is dated in pencil in the lower right corner.
Condition: Good condition. two glue stains in the corners
ISSACHAR RYBACK 1897-1935
Yelizavetgrad 1897-1935 Paris (Ukrainian /Russian /French)
Title: Vase of Flowers
Technique: Original Signed Watercolour Painting on paper
Size: 49 x 33.5 cm / 19.2 x 13.1 in
Additional Information: This watercolour is hand signed by the artist “I. Ryback” in the lower left corner.
Provenance: Acquired by the parents of the previous owner in the 1960’s or 1970’s in Paris.
Condition: Good condition. Unexamined outside the frame.
Note: The work will be sold unframed.
ISSACHAR RYBACK 1897-1935
Yelizavetgrad 1897-1935 Paris (Ukrainian/Russian)
Title: The Blacksmith, early 1920’s
Technique: Original Charcaol and Black Pencil Drawing on brown paper
Size: 34 x 25. cm
Additional Information: This is an original drawing by the artist Ryback.
This drawing was realised in the early 1920’s, probably 1921 to 1924.
Provenance:
1.The Estate of the Artist.
2. Christie’s Sale Jonah in Amsterdam (1989)
Condition: Some discolouration due to a previous frame. A pin hole in the top part of the paper. Some tape remains at the top and bottom. Some light foxing.
ISSACHAR RYBACK 1897-1935
Yelizavetgrad 1897-1935 Paris (Ukrainian /Russian /French)
Title: Three Workers, 1919-1921
Technique: Original Charcoal Drawing on paper
size: 33.3 x 25.5 cm / 13.1 x 10 in
Additional Information: This is an original drawing by the artist Issachar Ber Ryback.
This drawing was realised between 1919 to 1921 while the artist was in Kiev.
Provenance:
The Estate of the Artist.
Christie’s Sale Jonah in Amsterdam (1989)
Condition: Good condition. Discolouration of the paper. A fold going from the right feet of the right character to the top of the drawing. Another fold going from the top left corner across the sheet. Some minor creases throughout. Some tape attached to the paper. Some tape remains verso.
ISSACHAR RYBACK 1897-1935
Yelizavetgrad 1897-1935 Paris (Ukrainian/Russian)
Title: Construction, ca. 1924-26
Technique: Original Signed Oil painting on cardboard laid on canvas
Size: 49 x 69 cm / 19.3 x 27.2 in
Additional Information: The painting is hand signed by the artist.
It was painted between 1924 to 1926 when Ryback returned to the Ukraine to record the Jewish kolkhozes of Ukraine and Crimea.
Condition: Unexamined out of the frame.
Note: This work will be shipped from Israel.
ISSACHAR RYBACK
Yelizavetgrad 1897 – 1935 Paris (Ukrainian/Russian)
Portrait of a Man – circa 1925-1935
Original Signed Oil Painting
Title: Portrait of a Man
Technique: Original Oil painting on canvas
Size: 64.8 x 49.5 cm / 25.5 x 19.5 in
Additional Information: The painting is hand signed by the artist at the lower left part “I. Ryback”.
It was probably painted between 1925 to 1935 in France.
Provenance: Josef Steiglitz Gallery, Tel Aviv.
Condition: Unexamined out of the frame. Note: The work will be shipped unframed.
Born in Ukraine in 1897, Ryback is generally regarded as an important contributor to the Jewish Art Movement in Russia. In 1919-1920, he lived in Moscow and worked in close association with the artists of the Russian avant-garde and in particular with El Lissitsky, Pevsner and Gabo. In 1921 he moved to Berlin where he was associated with Der Sturm and in 1925, he was invited back to Soviet Russia to design sets and costumes for the Moscow theater. In 1926, he settled finally in Paris where he gave up abstract work and sought a new form of expression. He held his first one-man show in Paris in 1928 and later exhibited in Holland (1930) and Belgium (1932). In 1935, on the eve of his first large retrospective at the Wildenstein Galleries in Paris, he suddenly died.
Born in Ukraine in 1897, Ryback is generally regarded as an important contributor to the Jewish Art Movement in Russia. In 1919-1920, he lived in Moscow and worked in close association with the artists of the Russian avant-garde and in particular with El Lissitsky, Pevsner and Gabo. In 1921 he moved to Berlin where he was associated with Der Sturm and in 1925, he was invited back to Soviet Russia to design sets and costumes for the Moscow theater. In 1926, he settled finally in Paris where he gave up abstract work and sought a new form of expression. He held his first one-man show in Paris in 1928 and later exhibited in Holland (1930) and Belgium (1932). In 1935, on the eve of his first large retrospective at the Wildenstein Galleries in Paris, he suddenly died.
