JAMES COIGNARD
Tours 1925 – Lives in Vallauris (French)
“Z 3” – circa 1995
Original Hand Signed and Numbered Collage and Carborundum Etching
Title : “Z 3”
Technique : Original Collage and Carborundum etching in colors on heavy paper with white string.
Paper size : 56 X 44 cm / 22 X 17.3 inch.
Additional Information : The work is Hand Signed at the lower right corner “J.Coignard”,
and hand numbered at the lower left corner 24/75.
It was printed in a limited edition of only 75 hand signed and numbered impressions and was printed in circa 1995.
In this work Coignard used 2 carborundums in order to create a hand made collage by the use of a string.
Condition : Very good condition. One minor crease at the lower left margin.
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LOVIS CORINTH 1858-1925
Tapiau 1858-1925 Zandvoort (German)
Title: Weite Landschaft | Wide Landscape, 1916
Technique: Original Hand Signed Lithograph on Wove Paper
Paper size: 32 x 44 cm. / 12.6 x 17.3 in.
Image size: 25 x 38 cm. / 9.8 x 15 in.
Additional Information: This original lithograph is hand signed in pencil by the artist “Lovis Corinth” at the lower right corner. It was printed in 1916 in a limited edition of 50 hand signed impressions, by Verlag Fritz Gurlitt, Berlin, from a Zinc plate.
Literature: Schwarz K. (1922). Das Graphische Werk von Lovis Corinth. Erste Ausgabe des Werkverzeichnisses über die Druckgraphik von 1891-1916. Berlin: Verlag Fritz Gurlitt.
Reference: Schwarz L. 258.
Condition: Good condition. The sheet has been trimmed. Light handling creases. Light discolouration through former matting. Foxing stains.
BRIGITTE COUDRAIN b. 1934
Paris 1934 (French)
Title: Brown Landscape, 1970
Technique: Original Hand Signed Etching and Aquatint in Colours on Vellum paper
Paper Size: 76 x 56 cm / 29.9 x 22 in
Plate Size: 57 x 47 cm / 22.4 x 18.5 in
Additional information: The work is hand signed in pencil by the artist at the lower right margin, as well as Hand inscribed “e.a.” (epreuve d’artist = artist proof) at the lower left margin.
This work also bears the date “Sept 70” (September 1970) in the plate at the lower margin of the image.
Condition: Excellent condition. Light handling creases at the margins.
LUCIO DEL PEZZO b.1933 born Naples 1933 (Italian)
Title: Amore Folle, 2005
Technique: 6 Original Hand Signed and Numbered Etchings in colour with Collage on Arches Rives vellum paper
Paper Size: 38 x 28 cm / 15 x 11 in
Image size: 25.2 x 21.2 cm / 10 x 8.2 in
Additional Information: Each Etching is hand signed in pencil by the artist “Del Pezzo” at the lower right margin. They are all also hand numbered in pencil “XIV” (14) at the lower left margin. These etchings are part of a book of poems by Arturo Schwarz, “Amore Folle”, 2005. The work was printed in a limited edition of 69 + 40 in roman numerals, all hand signed and numbered. It was published by Ignazio Maria Gallina, and printed by Giuliano Grittini in Milan 2005.
Provenance: Arturo Schwarz Gallery, Milan, Italy. Private Italian collection (acquired directly from Arturo Schwarz)
Note: Arturo Umberto Samuele Schwarz (b. 1924, Alexandria, Egypt) son of a German father and an Italian mother, is an Italian scholar, art historian, poet, writer, lecturer, art consultant and curator of international art exhibitions. He lives in Milan, where he has amassed a large collection of Dada and Surrealist art, including many works by personal friends such as Marcel Duchamp, André Breton, Man Ray,and Jean Arp.
Condition: Excellent condition. Minor handling creases.
ANDRE DIGNIMONT
1891 – 1965 (French)
Nostalgie de Paris – 1946
Book with 14 Color Etchings and 38 Pochoir llustrations
Title: Nostalgie de Paris.
Technique: Book with 14 Color Etchings and 28 Pochoir Illustrations on Velin (Lana) paper.
Paper size: 28 x 22 cm / 11 x 8.7 in
Additional Information: This book was written by Francis Carco and illustrated by Andre Dignimont.
The book includes more then 222 pages of text that are illustrated by 38 pochoirs in colours by Andre Dignimont.
It also includes a separate suite of 14 original color etchings, each one printed on a full sheet without text.
The book was printed in 1946, in a limited edition of 500 but there were only 100 copies (numbered 151 to 250) on Lana paper with the separate suite.
This book is numbered “243”.
It was published by “Au Moulin de Pen-Mur”, in Paris in 1946.
Condition: Good condition. Some minor wear and stains to the covers.
Technique : Poster Offset print on paper.
Paper Size : 60 X 40 cm / 23.6 X 15.8 inch.
Additional Information : This Offset Poster print was printed for the touring retrospective exhibition of Cesar Domela in the USA,
1927/1977 in cooperation with Galerie Roger d´Amecourt Paris. .
Condition : Good Condition. Creases at the edges of the paper.
CÉSAR DOMELA 1900-1993
Amsterdam 1900-1993 Paris (Dutch)
Title: Composition in Blue, Yellow, Red, 1972
Technique: Original Hand Signed and Inscribed Screenprint in Colour on Wove Paper
Paper size: 64.5 x 49.5 cm. / 25.4 x 19.5 in.
Additional Information: This original screenprint in colours is hand signed in pencil by the artist “Domela” it is also dated “1972” at the lower right. It is also hand inscribed in pencil “EA” (épreuve d’artiste) at the lower left. This impression is an artist’s proof.
Condition: Very good condition. Light handling creases.
CESAR DOMELA 1900 – 1993 (Dutch) Domela Touring Retrospective in the USA – 1927/1977 Poster Offset Print Title: Domela Touring Retrospective in the USA. Technique: Poster Offset print on paper. Paper Size: 60 x 40 cm / 23.6 x 15.8 in. Additional Information: This Offset Poster print was printed in France for the touring retrospective exhibition of Cesar Domela in the USA, 1927/1977 in cooperation with Galerie Roger d´Amecourt Paris. Condition: Good Condition. Creases at the edges of the paper.
Technique: Original Hand Signed and Numbered Lithograph in Colours on Wove Paper
Paper size: 64 x 84 cm. / 25.2 x 33.1 in.
Additional Information: This original lithograph in colours is hand signed in pencil by the artist “Dorazio” at the lower right corner.
It is also hand numbered in pencil from the edition of 90, at the lower left corner.
It was printed and published in a limited edition of 90 impressions by Erker Presse, St. Gallen in 1976.
The paper bears the blindstamp of the published in the lower left corner.
