Technique: Original Hand Signed and Numbered Lithograph in Colours on Thick Wove Paper
Paper size: 31.5 x 42.5 cm. / 12.4 x 16.7 in.
Additional Information: This original lithograph in colours is hand signed by the artist with his initials in black ink “C T.”, on a label verso. It is also hand numbered in black ink above the signature from the edition of 250, verso. There were also 30 artist’s proofs aside from the standard edition, numbered with Roman numerals. It was published by Verein Progressiver Galerien, Köln, in 1970.
Literature: Bastian, H. (2017). Cy Twombly: The Printed Graphic Work: Catalogue Raisonné. Munich: Schirmer/Mosel. Reference: Bastian 28
Condition: Excellent condition.
CY TWOMBLY 1928-2011
Lexington, Virginia 1928-2011 Rome, Italy (American)
Title: Untitled, from: Homage to Picasso, 1973
Technique: Original Hand Signed and Numbered Lithograph and Collotype in Colours on thin Card
Paper size: 76 x 56 cm. / 30 x 22 in.
Additional Information: This original lithograph and collotype in colours is hand signed by the artist with his initials in pencil “C T.” in the centre right of the image.
It is also hand numbered in pencil from the edition of 90, at the lower left image. There were also 30 artist’s proofs aside from the standard edition, numbered with Roman numerals.
It was printed by Matthieu Studio, Zürich/Dielsdorf and co-published by Propyläen Verlag, Berlin and Pantheon Presse, Rome in 1973.
Literature: Bastian, H. (2017). Cy Twombly: The Printed Graphic Work: Catalogue Raisonné. Munich: Schirmer/Mosel.
Reference: Bastian 41.
Condition: Very good condition. Soft handling creases, predominantly at the sheet edges.
LESSER URY 1861-1931 Międzychód, Poland 1861 – 1931 Berlin (German)
Title: Sunset at Grunewald Lake, from: Berlin Impressions | Sonnenuntergang am Grunewaldsee: Berliner Impressionen, 1924
Technique: Original Hand Signed and Numbered Etching and Drypoint on Simili-Japan Paper
Paper size: 35.6 x 26.7 cm. / 14 x 10.5 in. Image size: 17.5 x 13.5 cm. / 6.9 x 5.3 in.
Additional Information: This original etching and drypoint is hand-signed in pencil by the artist “L. Ury” at the lower left margin. It is also hand numbered in pencil XXVIII from the edition of XXX (30) in Roman numerals, at the lower right margin. This is one of just 30 deluxe impressions on Japan paper aside the standard edition standard edition of 100 with Arabic numerals. This is the fifth of seven compositions which create the series “Berliner Impressionien” [Berlin Impressions], published by Euphorion Verlag, Berlin in 1924. The paper bears the blind stamp of the publisher in the lower right corner.
Literature: Rosenbach D. (2002). Lesser Ury. Das Druckgraphische Werk. Hannover/Berlin: Edition Rosenbach Reference: Rosenbach 26.
Condition: Excellent condition.
JACQUES VILLON 1875-1963 (Gaston Duchamp)
Damville 1875-1963 Paris (French)
Title: Noblesse, 1921
Technique: Original Hand Signed and Dated Etching on handmade paper.
Paper Size: 24 x 12.5 cm / 9.5 x 4.9 in
Plate Size: 14.5 x 8.5 cm / 5.7 x 3.4 in
Additional Information: This work is hand signed by the artist in pencil “Jacques Villon” at the lower right margin. It is Hand Inscribed “tire a 50” (printed in an edition of 50 impressions) in pencil at the lower left margin. This Etching is also dated in pencil “1921” in the upper right corner. The etching is additionally signed in the plate by the artist “Jacques Villon” at the lower right corner.
Provenance: The Collection of Olga Carre-Burel The Collection of Louis Carre. This work belonged to the Collection of Olga Carre-Burel formally known as the Collection of Louis Carre. It was one of the most important collections of Villon’s work in the world if not the most important one. Olga Carre (born Burel) was the wife of the important Paris Gallery owner and Collector Louis Carre. He passed away in 1977 and so his wife, Olga Carre, inherited his collection. Louis Carre was the main dealer of Jacques Villon and exhibited his works regularly in his Gallery in Paris and New York. Most of their collection was bought directly from the artists.
Literature: Jacques Villon-Les Estampes,Les Illustrations-Catalogue Raisonne, by Colette de Ginestet and Catherine Pouillon, published by Arts et Metiers Graphiques.
Reference: Ginestet et Pouillon nA.-P. 205, illustrated in page 189.
Condition: Good condition, light discoloration of the paper. Light handling creases and fold. Light foxing.
ANDY WARHOL 1928-1987
Pittsburgh 1928-1987 New York (American)
Title: Chicken ‘N Dumplings, from: Campbell’s Soup II, 1969
Technique: Original Hand Signed and Numbered Screenprint in Colours on Wove Paper
Paper size: 88.9 x 58.4 cm. / 35 x 23 in.
Additional Information: This original screenprint in colours is hand-signed in black ballpoint pen “Andy Warhol”, along the lower sheet edge, verso. It is also numbered with the ink stamp from the edition of 250, verso. There were also 26 artist’s proofs numbered with the 26 letters of the Latin alphabet. It was printed by Salvatore Silkscreen Co. Inc., New York and published by Factory Editions, New York. This is the fifth composition of ten, comprising the second portfolio dedicated to the subject of Campbell’s Soup cans.
Provenance: Halcyon Gallery, London private collection, Switzerland Literature: Feldman, F & J. Schellmann, J. (2003). Andy Warhol Prints A Catalogue Raisonne 1962-1987. New York: Distributed Art Publishers
Reference: Feldman & Schellmann II.58
Condition: Very good condition.
Price: POA
ANDY WARHOL 1928-1987
Pittsburgh 1928-1987 New York (American)
Title: Beef Consommé, from: Campbell’s Soup I, 1968
Technique: Original Hand Signed and Numbered Screenprint in Colours on Wove Paper
Paper size: 88.9 x 58.4 cm. / 35 x 23 in.
Additional Information: This original screenprint in colours is hand signed in black ballpoint pen “Andy Warhol”, along the lower sheet edge, verso.
It is also numbered with the ink stamp from the edition of 250, verso.
There were also 26 artist’s proofs numbered with the 26 letters of the Latin alphabet.
It was printed by Salvatore Silkscreen Co. Inc., New York and published by Factory Editions, New York.
This is the ninth composition of ten, comprising the first portfolio dedicated to the subject of Campbell’s Soup cans.
Literature: Feldman, F & J. Schellmann, J. (2003). Andy Warhol Prints A Catalogue Raisonne 1962-1987. New York: Distributed Art Publishers
Reference: Feldman & Schellmann II.52
Condition: Very good condition. With minor soft creasing at the extreme sheet edges.
ANDY WARHOL 1928-1987
Pittsburgh 1928-1987 New York (American)
Title: Composition VI, from: Flowers (Black and White), 1974
Technique: Original Hand Signed and Numbered Screenprint in on Arches J. Green Wove Paper
Paper size: 103.8 x 69.2 cm. / 40.8 x 27.2 in.
Additional Information: This original screen print is hand signed in pencil with the artists monogram “AW”, along the lower right corner. It is also hand signed in pencil “Andy Warhol” verso.
It is also numbered in pencil from the edition of 100, on the verso. There were no artist’s proofs.
It was published by Peter M. Brant, Castelli Graphics, and Multiples, Inc., New York, in 1974.
This is the sixth composition of ten titled ‘Flowers (Black and White)’.
The paper bears the J. Green watermark in the lower right corner and the publisher’s ink stamps, verso.
Literature: Feldman, F & J. Schellmann, J. (2003). Andy Warhol Prints A Catalogue Raisonne 1962-1987. New York: Distributed Art Publishers
Reference: Feldman & Schellmann II.106
Condition: Very good condition. Pale time-staining across the sheet.
ANDY WARHOL 1928-1987
Pittsburgh 1928-1987 New York (American)
Title: The Nun, from: Ingrid Bergman, 1983
Technique: Original Hand Signed and Numbered Screenprint in Colours on Wove Paper
Paper size: 96.5 x 96.5 cm. / 38 x 38 in.
Additional Information: This original screenprint in colours is hand signed in pencil “Andy Warhol”, in the lower right corner.
It is also numbered and inscribed from the 5 impressions reserved as printer’s proofs aside from the edition of 250.
It was printed by Rupert Jasen Smith, New York and published by Galerie Börjeson, Malmö, Sweden.
The paper bears the blindstamp of the printer in the lower left.
This is one of three compositions of Ingrid Bergman.
Provenance:
Private collection, United States of America
Christie’s, New York, 3 November 2004, lot 643
Private collection, United States of America
Santoro & Shienbaum, Florida, 27 December 2005
Private collection, Sydney, Australia.
Literature: Feldman, F & J. Schellmann, J. (2003). Andy Warhol Prints A Catalogue Raisonne 1962-1987. New York: Distributed Art Publishers
Reference: Feldman & Schellmann II.311
Condition: Very good condition. The sheet edges with pale staining. Minor scattered foxing across the sheet.
TOM WESSELMANN 1931-2004
Cincinnati 1834-2004 New York (American)
Title: Smoker, from: An American Portrait, 1976
Technique: Original Hand Signed and Numbered Screenprint in Colours on Museum Board
Paper size: 66 x 49.2 cm. / 26 x 19.4 in.
Image size: 41.6 x 41.3 cm. / 16.4 x 16.3 in.
Additional Information: This original screenprint in colours is hand signed in pencil by the artist “Wesselmann” at the lower right margin.
It is hand numbered in in pencil in Roman numerals, at the lower left margin. It is one of 25 hors commerce [out of trade] impressions aside from the standard edition of 175.
It was published by Transworld Art, New York.
Note:
This composition was included in the portfolio “An American Portrait”, which was created to celebrate the bicentennial of the United States of America. Wesselmann was one of 33 artists who contributed to this project.
